Tony! review: Slapdash Blair musical feels like a student drama spoof
There’s not much satirical sophistication on show in this oddly-timed musical effort from Harry Hill and Steve Brown
No Particular Order, Theatre 503: Suggests a burgeoning new talent
Even if it’s not entirely successful, this experimental show highlights just how boringly safe and naturalistic most theatre remains
The Haunting of Susan A review: A sketchy, underdeveloped ghost story
New artistic director Mark Ravenhill’s spooky tale, inspired by the King’s Head itself, is ambitious but clumsily done
Tinuke Craig on her new Old Vic show about a vanishing world
The director’s new prodution of Jitney opens at the Old Vic in June - it’s 40 years old but it still resonates today
Britannicus at the Lyric Hammersmith: Rarely revived for good reason
Some decent performances can’t drag any contemporary relevance out of this talky French classic
The Glass Menagerie review: Amy Adams’ West End debut is unconvincing
As a West End star vehicle for the celebrated actress, The Glass Menagerie barely passes its MOT
Henry VIII at the Globe: Troublesome history play becomes even messier
This is one for Shakespeare completists only
Dropped at Canal Cafe: a moving tale of sacrifice for dashed dreams
Alfie Cain’s debut play about being dropped by his football academy aged 18 reveals the emotional cost of early commitment
Girl on an Altar, Kiln Theatre: bracingly good reworking of Greek myth
Marina Carr’s examination of the Trojan War through women’s eyes is gripping
My Fair Lady at the Coliseum: fresh and sparky, with a bona fide star
Bartlett Sher’s production repackages this witty, well-crafted piece of work for a new generation
House of Shades review: A jumble of family saga and political screed
A layered, expressive lead performance from Anne-Marie Duff can’t save this baggy production
David Eldridge: Where are the suburban blue collar classes in theatre?
The Essex-born playwright asks why, as theatre diversifies, do the working class-made-good seem to remain invisible
Understudies are the undervalued key to change in the theatre industry
Covid chaos has had a huge effect on theatre shows and understudies have held them together - it’s time to do more than applaud
From Anne Boleyn to Elle Woods: What Tony nominee Lucy Moss did next
After becoming the youngest female director on Broadway for Six, Lucy Moss is putting her spin on Legally Blonde the Musical
House of Ife at the Bush Theatre review: a sharp and sparkling debut
Beru Tessema’s first play is a family epic that captures the universal in the specific
Oklahoma! review: stripped back version is the best revival yet
After triumphing at the Tonys, this pared-back production comes to London
Timothée Chalamet’s West End debut 4000 Miles has been cancelled
4000 Miles had already been postponed for two years
Middle review: David Eldridge’s marriage drama is a emotional workout
Claire Rushbrook and Daniel Ryan give heartfelt, nuanced performances as a late-fortysomething Essex couple in crisis
Much Ado About Nothing review: A smart, stylish staging
Director Lucy Bailey’s production offers a purely pleasurable evening at the Globe
Jerusalem review: 13 years on, time has deepened this modern classic
You could watch Rylance’s performance every night and still find new dimensions
Prima Facie review: Jodie Comer is better than we’ve ever seen her
The Killing Eve star is what we’re here to see in this one-woman show about a barrister who is sexually assaulted - and she delivers
Meet Oklahoma! star Anoushka Lucas: from skint singer to theatre queen
Anoushka Lucas spent her twenties trying and failing to get a record deal; in her thirties, she’s found a thrilling new career in theatre
Jez Butterworth’s Jerusalem still packs a mighty punch
Frequently deemed the best play of the 21st century, Nick Curtis explores the story of Jerusalem as it returns to the West End 13 years after it first opened
Grab a cheap ticket to your favourite West End show with these deals
From Wicked to The Book of Mormon, we have you covered
Maria Callas – Letters and Memoirs review: A real Callas-tastrophe
Screen star Monica Bellucci is spectacularly wooden in this tedious meander through opera star Maria Callas’ personal scribblings, which make dull source material
The Corn Is Green review: Dominic Cooke rejuvenates a dusty text
Nicola Walker is captivating in this play about the power of education and language
Marys Seacole review: muddled drama about healthcare pioneer
Jackie Sibblies Drury’s play has a compelling and topical premise - but the result is haphazard
Cultural Capital: William Kentridge, and Nic Cage’s new film reviewed
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Audrey who? Meet Amara Okereke, star of London’s new My Fair Lady
Bartlett Sher’s Broadway smash revival of My Fair Lady is coming to London - star Amara Okereke explains why Eliza Doolittle is a revolutionary figure
The Burnt City review: Punchdrunk’s return is simply astonishing
Punchdrunk’s first major venture in London for eight years, inspired by the Trojan War, will blow you away
The best shows to take kids and teens to in the Easter school holidays
Our guide to what to see with your family over the break
A Nelson Mandela musical will open at the Young Vic later this year
The production promises to tell the story “of Mandela the man and Mandela the movement”
Zorro the Musical review: Zorro? More like zero
This spoofy, wrong-headed version of the story of dashing vigilante Zorro should never have got this far
Persuasion review: A riotous, ruthlessly 21st-century Austen retelling
Jeff James’s adaptation has voguing and a foam party - but doesn’t interrogate the novel’s more retrograde gender politics
The 47th review: As Trump, Bertie Carvel is hideously transformative
Mike Bartlett’s blank-verse drama about Trump running for president (again) is eloquent and clever, but has surprisingly little to say
For Black Boys Who Have Considered Suicide... review: pretty wonderful
There’s a surprising amount of joy in Ryan Calais Cameron’s play about the experience of young British black men
Who you gonna call? How Danny Robins became the UK’s go-to ghost guy
He had a West End smash with 2:22 A Ghost Story and his Battersea Poltergeist podcast is being made into a TV show - but what’s haunting Danny Robins?
“Daddy” A Melodrama review: A bold, audacious jolt
The Almeida’s long-awaited production features an on-stage swimming pool and full-frontal nudity